Kristine Thatcher is an
icon in the Lansing theater community.
We’ve watched her grow from a local ingénue, to a mature actress and
theater professional.
So, it is fitting that the
Michigan premier of her autobiographical play, “The Safe House” should take
place at the newly refurbished Williamston Theatre.
It’s a play that touches
the hearts of many people because of the sincere, honest and straightforward
way it tackles the difficult issues of families dealing with grandparents with diminishing
functions.
The play takes place in
Lansing, and it is fun to hear the characters talk about local places.
It opens with Bridget (a
wonderfully expressive Dani Cochrane) coming home to Lansing after struggling to
make a living as an actress in New York as well as attempting to make a second marriage
work. Neither are going so well.
She’s pretty and perky and
is thrilled to see her grandmother, Hannah (Karen Sheridan), again. She
remembers her as a tough owner of a tavern downtown but always a great supporter
of her theatrical ambitions.
Although Hannah is past
retirement age, she is still feisty, full of energy, and enjoys a good laugh.
But something is wrong.
Bridget notices some
lapses in her grandmother’s demeaner.
She forgets things, is confused about her medications and is very angry
that her son, Matt (Tobin Hissong), is pushing for her to move into a
retirement center.
Although Bridget sees the
problems, she feels that her spunky grandmother is in pretty good shape and
should stay in her home. But we also understand that there are other reasons for
the young actress to come back to Lansing and wants her grandmother to be clear-minded.
The action takes place in
Hannah’s house and scenic designer Gabriella Csapo has created a realistic and beautifully
designed living space.
The first act is slow
moving but Thatcher does a fine job of building these characters. It helps that the three Equity actors are all
superb and are totally immersed in their characters.
Karen Sheridan takes over
the stage when she is exploring Hannah’s complex personality. She mostly does a fine job with Hannah’s German
accent, but really shines at displaying her strength, sense of humor and her surprisingly
good dancing and singing talents. Sheridan’s face is a canvas of many emotions.
She is an ultimately
likeable character, which makes the process of pushing her out of her beloved
house to move to a retirement center, a difficult problem.
Although “The Safe House”
is sentimental, it is never melodramatic or over wrought. These characters are people with whom we can
all we can all empathize.
There is no bad guy
here. And if you are at a certain age,
this material is all too close. The
dialogue is totally believable. Never
once does Thatcher give characters words that waver from reality.
Which is why the story has
such an emotional impact on the audience. The plot is whisper thin and has few surprises
but it’s authentic and relatable.
Kristine Thatcher has
indeed written a beautiful play and Williamston has treated it with the
sensitivity it deserves.
The Safe House plays at the Williamston
theater until November 3rd.
For information and tickets consult their website at www.williamstontheatre.org or (517) 655-SHOW (7469)
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