The two-year
pandemic that we are now slowly emerging from, has been stressful to many
segments of society. But one of the
hardest hit has been the arts – especially theater and classical concerts.
For that reason,
we must take our hats off in congratulations to a Lansing community theater company,
Peppermint Creek, for presenting their current production of the challenging musical,
“Fun Home”.
Even though
season schedules have been upended through Covid, artistic director Chad
Badgero was determined to hold on to “Fun Home” and present this important show
to Lansing audiences.
“Fun Home“ is
the Tony Award winning show written by Lansing native Lisa Kron (book and lyrics)
and Jeanine Tesori (music).
I have seen “Fun
Home” performed by seasoned pros on Broadway and the national touring company at
Wharton Center. But there is something very special about watching local amateurs
bringing this show to life in a church auditorium.
This musical is heartfelt and heart wrenching, and it demands much from its intergenerational cast of actors and singers.
“Fun Home”
is based on the graphic novel by Alison Bechtel, although it is less a novel
than it is an autobiography. It is the story of the college age Alison coming
out as a lesbian in her first year at college.
But beyond that one event, the play is about how Alison’s family deals
with many difficult issues, and Alison is beautifully portrayed at three times
of her life by a 10-year-old Alison (Lorena Krauss), a college age Alison
(Sally Hecksel) and the adult Alison (Abigail Grill) narrating, observing and
sometimes inserting herself in the story.
It’s a
brilliant method of storytelling and the story is powerful. As Alison is discovering her gender identity
in college, she also learns that her father is gay. But this sensitive play has
many plot lines crisscrossing throughout the performance.
Matt Eldred,
as Alison’s father Bruce, is a talented singer and actor, known to Lansing audiences
for a long string of theater successes.
But this play requires not only a strong voice but acting that displays
a wide range of emotions. And he does it all.
Bruce is a
fussbudget restorer of old houses, a funeral director (get it? Fun Home?) a
high school English teacher and a father and husband. Lots of issues here.
All three Alisons
have demanding roles and each have important songs depicting that particular
time in Alison’s life. Sally Hecksel was especially effective as the “medium Alison”,
working her way through her change of identity.
Her big song about her first sexual experience, “Changing My Major to
Joan” sparkled with personality and excitement.
The most
popular song of the show is “Ring of Keys” and “small Alison”, 6th
grader Lorena Krauss, made it a showstopper.
Director
Mary Job is masterful at balancing all the narratives of this delicate show.
The only shortcoming was the set. The talent on stage (and in the orchestra
pit) was superb, but the set itself was not up to that talent.
The reason “Fun
Home” has been a hit throughout the world is that the songs and music so
effectively further the story and the characters. The songs truly portray the anguish, joy and confusion
that is the heart of the show. And music director Alan B. Sloan and his three
other musicians provided superb musical support. A much-improved sound system
made the music a pleasure to listen to.
Peppermint
Creek’s “Fun Home” plays at the Central United Methodist church in downtown
Lansing until June 12.
1 comment:
We attended this wonderful production on opening night. The number that I found most impressive was at the end. "Flying Away" is performed by the trio of Allisons. The harmony was beautiful and the rendition was powerful. I actually enjoyed the set despite its simplicity. It reflects the tone of the original graphic novel. Some of the set changes were awkward. Kudos to Chad for keeping Peppermint Creek alive despite the COVID hiatus.
Robin Willner
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